Deep Rhythm Music
By Ric Bang
Buy CD: Eleven
Tommy Igoe has been a drummer since he was 2 years old. It helped that his father also was a drummer — who played with Benny Goodman and Woody Herman — and Tommy was fortunate to have been born and raised in New Jersey. For musical purposes, that’s essentially a suburb of New York City, which everyone knows is the capital of the jazz world. True, Igoe studied classical and jazz piano for 15 years, but that was just an adjunct to his love for the percussion instruments.
By Ric Bang
Buy CD: Eleven
Tommy Igoe has been a drummer since he was 2 years old. It helped that his father also was a drummer — who played with Benny Goodman and Woody Herman — and Tommy was fortunate to have been born and raised in New Jersey. For musical purposes, that’s essentially a suburb of New York City, which everyone knows is the capital of the jazz world. True, Igoe studied classical and jazz piano for 15 years, but that was just an adjunct to his love for the percussion instruments.
By age 18, he was playing
with the Glenn
Miller Orchestra; in 1986, he was a
member of the Blood,
Sweat and Tears touring band. Igoe also
worked for Stanley Jordan, Art Garfunkel and Dave Grusin, and in ’97 was asked
to help create the drum set “book” for the Broadway production of The Lion King. A significant part of his career is
dedicated to teaching, and he has written numerous instruction books — and
released DVDs — that deal with drumming.
His newest project is the Birdland Big Band, which has a weekly gig at New York’s Birdland jazz club. That unit, featured on this CD, is a big
band in every sense of the word; the cadre includes five trumpets, three
trombones, five reeds and a rhythm section of piano, bass and drums (the latter
role filled by Igoe, of course). Three additional guests appear: a
harmonica player, another pianist and an additional percussionist.
This album’s title, Eleven, relates to the number of tracks. Four were
written by icons Chick Corea (“Armonda’s Rhumba”
and “Got
a Match”), Michael Brecker (“Spherical”) and Herbie Hancock (“Butterfly”); the rest come from lesser known — but equally
talented — jazz composers. It goes without saying that personnel from the
Big Apple’s huge jazz population are willing to stand in line to be a part of this
organization.
A number of descriptive
terms come to mind when listening to this album: swinging is one; precise is
another. I’d expect nothing less; you’re hearing the cream that rises to
the top of New York’s jazz artists. Everyone clearly is having a ball, and so
will you.
A side note: After
his years on the East Coast, Igoe has relocated his family to San Francisco.
Jazz fans will love him there, as well.
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