By Ric Bang
Buy CD: Our Path to this Moment
I first encountered Ezra
Weiss in 2009, while reviewing Alice in Wonderland: A
Jazz Musical, the first of two works he
wrote to expose young children to jazz; it was named one of the Top 10 cast
albums that year by TalkinBroadway.com. In 2010, Weiss followed up with Don’t Let the Pigeon Drive the Bus.
Weiss holds a bachelor’s
degree in jazz composition from the Oberlin Conservatory of Music, a master’s
degree in jazz piano performance from Queens College, and has won the ASCAP Young Jazz
Composer Award three times. He has
arranged and composed for numerous name groups and currently teaches at
Portland State University.
Rob Scheps, who plays all
of the reed instruments, is a New York native. He attended both the
Manhattan and Eastman Schools of Music, formed and worked with numerous groups
in and around the Big apple, then moved to Portland, Oregon in 1997. He’s a
member of that city’s symphony and also is on the faculty at Portland State
University.
Scheps’ standard big band
consists of five reeds (he handles tenor sax), four trumpets, three trombones,
a tuba, piano (Weiss), bass, drums and an additional percussionist. For this
album, Scheps also added trumpeter Greg Gisbert, who has worked in bands
fronted by Buddy Rich, Woody Herman and John Fedchock.
This album
features seven compositions and arrangements by Weiss: truly serious
jazz. You’ll hear chord structures and rhythmic variations that are much more
complex — and interesting — than those used by standard big bands. The
solo passages aren’t “written,” but their chord progressions are; they
therefore “fit” wonderfully into the basic ensemble background.
The result doesn’t
swing in the same way that Woody’s Herds did (as one example), but what comes
out definitely qualifies as jazz. Repeated playing will reveal nuances
that you may have missed during earlier visits, which then demands yet another
repeat play. You can listen to this orchestra for hours ... and you’ll still want more. Don’t miss it!
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