By Ric Bang
Buy CD: Strength in Numbers
This unit is led by
trombonist, composer and arranger Pete McGuinness, a staple in the New York
City jazz scene. He’s another of this brave new jazz world’s well-educated
musicians, with stints in the Hall High School Jazz program, in West Hartford,
Ct.; college studies at the New England Conservatory of Music; then the University
of Miami, for a bachelor’s degree; and finally the Manhattan School of Music,
for a master’s degree.
McGuinness has
performed with name bands led by Maria Schneider, Lionel Hampton, Jimmy Heath
and Woody Herman, and has served “in the pit” for numerous Broadway shows. He’s
a prolific writer and arranger, having composed for many jazz artists and schools,
as well as his own unit, featured in this release. Oh, yes; he’s also a
teacher.
This is another big,
big band: five woodwinds, four
trumpets, five trombones (including McGuinness) and the usual piano, bass and
drums rhythm section. McGuinness composed six of these 10 tunes, and arranged
all of them. The standards include Michel LeGrand’s “What Are You Doing the
Rest ff Your Life?,” Stephen Foster’s “Beautiful Dreamer,” and Raye/Depaul’s “You
Don’t Know What Love Is.” Two
versions of the latter are included: one recorded for this album, and another from
an earlier radio broadcast. It should be noted that McGuinness also is the vocalist
on both, and his style is equivalent to that of Chet Baker: semi-scat. (Stay
with your trombone, Pete.)
The only big bands operating
these days are created by jazz artists who miss them as much as I do. McGuinness
is one of those. And, as often is the case, there’s no shortage of musicians who
feel the same way, so the catalytic leader never has trouble finding stellar artists
to join the group. It’s often just to get together on their own time, to relax
and enjoy. Once in awhile, though, the results are so great that others — musicians,
teachers, producers, etc. — offer to fund the recording and distribution of a
CD, to share with other like-minded folks. This release is the result of just such
an effort. The contributors are too numerous to cite, but are included in the liner
notes.
McGuinness’ jazz orchestra
more that meets the necessary criteria. It swings
wonderfully, the artists are superb, the section work and solos are terrific, and
the arrangements are real movers.
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