By Ric Bang
Buy CD: Junity
Despite
Toots Thielemans’ decades-long reign as a master of the jazz harmonica, that
particular “mouth organ” remains one of the last instruments one thinks of,
when considering our favorite music genre. Well, for much of that same time, German-born
Hendrik Meurkens also has been considered a harmonica master, although he began
his career playing the vibraphone. After hearing Thielemans, however, Meurkens concentrated
on the smaller instrument.
He
and Russian pianist Misha Tsiganov have performed together for years. Both gained
early fame in their home countries; both became immersed in jazz; both attended
Boston’s famed Berklee College Of Music; and both ultimately settled in New
York City. And, needless to say, both have worked with many of the world’s
famous jazz artists.
On
much of this album, the harmonica/piano duo is joined by bassist Oleg Osen
Osenkov and drummer Willard Dyson; the former also hails from Russia — and also
attended Berklee — while the latter is from San Francisco.
Like
Thielemans, Meurkens plays the chromatic harmonica. While Thielemans concentrated
on jazz — playing guitar, harmonica and “whistling” — Meurkens
was trained in both classical and jazz genres. This release demonstrates his
skill with both. He achieves a pure, clean tone that is second to none, whether
performing a ballad (“Ruby My Dear,” “Luiza,” “Close Enough for Love”) or
swinging standards (“West Coast Blues,” “Pent Up House,” “Blackbird,” “Norwegian
Wood”).
This is one of the finest albums of beautiful, moving jazz, performed by magnificent musicians, that I’ve heard in years. Don’t miss it.
This is one of the finest albums of beautiful, moving jazz, performed by magnificent musicians, that I’ve heard in years. Don’t miss it.
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