By Ric Bang
Buy CD: The Last Southern Gentleman
Most
fans are familiar with the Marsalis clan, often known as the “First Family of
Jazz.” Eighty-year-old Ellis plays piano, followed by sons Wynton, Branford and
Delfeayo on (respectively) trumpet, tenor sax and trombone. This album features
Ellis and Delfeayo, with support from bassist John
Clayton and drummer Marvin “Smitty” Smith.
The
menu is a treasure trove of melodies from the Great American Songbook; my
generation grew up with 12 of these 13 tracks, which also probably are familiar
to a lot of our older children. “The Man with Two Left Feet” could be
considered the least-known outlier. But who can forget standards such as “Autumn
Leaves,” “She’s Funny That Way,” “My Romance,” “I Cover the Waterfront,” “If I
Were a Bell” and the many others?
Ellis
Marsalis is a pianist for all ages. He’s both tasteful and an impressive
swinger; you can’t listen to him without snapping fingers or moving some part
of your body. He spends more time teaching than recording, which has been the
case for many years. Aside from his sons, his numerous students have included Harry
Connick Jr. and Terence Blanchard. And during Ellis’ earlier years, he played
with icons such as Al Hirt and the Adderley Brothers.
Delfeayo
has served as a sideman for both Wynton and Branford, as well as alongside
leaders such as Ray Charles, Art Blakey and Elvin Jones; he has headed his own
groups since the late 1990s. He was influenced by J.J. Johnson, but Delfeayo
has a more “musical” style.
Needless
to say, Ellis and Delfeayo are an excellent match. Clayton is one of the greats
on bass, and Smith delivers a groovin’ rhythm section.
The liner notes are provided by Delfeayo, who also produced this disc; the commentary is excellent and entertaining. I’d expect no less from a great release that offers such swinging music.
The liner notes are provided by Delfeayo, who also produced this disc; the commentary is excellent and entertaining. I’d expect no less from a great release that offers such swinging music.
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