By Ric Bang
Buy CD: For Once in My Life
Those who are
familiar with Ben Paterson probably know him as a pianist; he has released
three albums on that instrument. This one, however, is his first on the Hammond
B3 organ.
Paterson was born in
Philadelphia in 1982, and he quickly began playing the piano, studying both
classical and jazz. After graduating from the Settlement Music School, he enrolled
at the University of Chicago; a year later, he was performing with NEA Jazz
Master Von Freeman. That association lasted until Freeman’s death in 2012, at
which point Paterson moved to New York City, to further his musical career.
He soon began working
with artists such as Bobby Broom, Red Holloway and guitarist Peter Bernstein
(who, with drummer George Fludas, is a member of the trio
featured on this release). Paterson’s reputation grew rapidly; he joined groups
that opened for the likes of B.B. King and Steely Dan, among others. Paterson
also played at the 2006, ’09 and ’13 Chicago Jazz Fests; the 2007, ’08 and ’11
Chicago Blues Fests; and the 2010 Montreal Jazz Festival.
So, how does he do
on the B3? Quite well, thank you. In fact, he’s several rungs up that ladder,
above any jazz organist I’ve hear lately. You’ll immediately notice Paterson’s
touch; he’s soft and gentle, and, as a result, gets an expressive melodic line.
For reasons unknown, too many organists use the instrument more like a cannon
than a pistol; as a result, the surrounding instruments tend increase their volume, to make sure they’re
heard.
Paterson’s second
attribute is keyboard dexterity. The organ is larger and arranged differently
than a piano, making it more difficult to navigate at increased tempos (which
also has an effect on volume).
Finally, Paterson has
a marvelous ability to create — and play — inventive and melodic lines: a
must for a jazz artist.
He also swings quite
nicely, and you’ll definitely groove right along.
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