By Ric Bang
Buy CD: Blue Innuendo
Dave
Anderson plays soprano, alto and tenor sax; he also composes and leads this
quartet. He probably isn’t too well known outside the jazz world, but he should
be.
Born
and educated in Minnesota — and a graduate of the University of Minnesota — he
received a full scholarship to perform at the Aspen Music Festival, spent
almost a decade in and around New York City, and then moved to the Seattle
area. He has performed with Clark Terry and Mel Torme, and garnered accolades
from Ray Brown, Rufus Reid and others.
For
this, Anderson’s third album, he’s supported by guitarist Tom Guarna, drummer
Matt Wilson and B3 organist Pat Bianchi. Anderson wrote all but one of the tunes;
the exception (“22 Doors”) was contributed by Devin Lowe, a friend and bassist
on one of the earlier releases. All are traditional jazz charts; regardless of
the tempo, they truly swing. In fact, these are some of the most musically
clever arrangements I’ve heard in a long
time.
Several
other reviews cite these artists as “some of New York City’s finest sidemen,” but
they’re actually better than that. Guarna is an exciting guitarist; his solo
phrases often depart from what a given melodic line leads us to expect, and we
wind up waiting to hear what he’ll play next. Bianchi is more “delicate” than many
other Hammond organ artists, and his phrasing is sharper and “shorter.” Both of
these characteristics eliminate the Hammond’s tendency to overwhelm the lines
of the other instrumentalists.
Wilson
isn’t merely rock-solid; he’s what we sometimes label a “quiet” drummer. He’s never
obtrusive. Anderson, as the primary composer, has a personal interest in
getting the most out of each note; this is evident in his use of phrasing and
chord structure.
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