By Ric Bang
Buy CD: Which Way Now?
The
current jazz scene has expanded to include artists who produce varying kinds of
music. The descriptive terminology can include terms such as modern, classical
and abstract, but the characteristics are similar: balladic tempos, complex
phrasing and usually low-volume music. Some might refer to it as “quiet music.”
Even
so, this influx has become so pervasive that I’m loath to ignore it. This
album, by pianist/composer Julian Shore, is one such example. His basic group
features guitarist Gilad Hekselman, tenor saxman Dayna Stephens, bassist Aidan
Carroll and drummer Colin Stranahan. This album also utilizes additional
artists on alto sax, tenor sax, clarinet, bass and guitar, along with different
reed artists and “voices.”
All
10 tracks are written by Shore, although several are based on other
compositions, such as Dizzy Gillespie’s “Con Alma” and Debussy’s “Lullaby”
passage from Clair De Lune.
Everything
is beautifully performed, and gorgeous to hear. But it’s all for “listening,”
not dancing or grooving. If those who create such music wish to place it in a
category identified as jazz, I guess that’s okay; it is where some of the
newest music seems to be heading.
With
that caveat in mind, jazz fans looking to expand their horizons are certainly
to enjoy this release.
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